Hunger Games Entertainment As Government Manipulation

â€Å"Happy Hunger Games: Entertainment as Government Manipulation in the Hunger Games Series† For many years teen fiction has gotten a bad reputation for being nothing but fluff. However, teen fiction can be just as nuanced as some of the classics that are taught in the traditional classroom. This is no more apparent than in that genre of teen dystopian science fiction. The Hunger Games trilogy, the quintessential story of government oppression, shows how entertainment can be used to manipulate the unsuspecting public. The Capitol uses forms of entertainment to rule over and manipulate the district and Capitol’s citizens and the tribute/victors. The Capitol begins its manipulation of the districts from the very beginning of each Hunger Games. Like Levi-Strauss notes in his observations, It seems to have favoured the exploitation of human beings rather than their enlightenment (Levi-Strauss 1282). Instead of using its power to encourage its citizens, the Capitol seems content to use an entertainment smoke screen to keep its people in line. On the day of the Reaping, whe re the tributes are chosen, the mayor of each district regales the people with the triumphs of the Capitol: â€Å"He lists the disasters, the droughts, the storms, the fires, the encroaching seas that swallowed up so much of the land, the brutal war for what little sustenance remained. The result was Panem, a shining Capitol ringed by thirteen districts, which brought peace and prosperity to its citizens. Then cameShow MoreRelatedThe Hunger Games By Suzanne Collins3514 Words   |  15 PagesThe Hunger Games is a science fiction, dystopian post-apocalyptic series that takes place in a futuristic North American nation called Panem. The film series is based on the novel series of the same title written by Suzanne Collins. 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